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• References & Bibliography 

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• Agawu, K. (2003). Representing African music: Postcolonial notes, queries, positions. Routledge.
  
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• Clayton, M. (2000). Time in Indian music: Rhythm, metre, and form in North Indian rag performance. Oxford University Press.
  
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• Gibbon, J., Church, R. M., & Meck, W. H. (1984). Scalar timing in memory. Annals of the New York Academy of Sciences, 423, 52-77.
  
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• Grahn, J. A., & Brett, M. (2007). Rhythm and beat perception in motor areas of the brain. Journal of Cognitive Neuroscience, 19(5), 893-906.
  
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• Hannon, E. E., & Trehub, S. E. (2005). Tuning in to musical rhythms: Infants learn more readily than adults. Proceedings of the National Academy of Sciences, 102(35), 12639-12643.
  
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• Hannon, E. E., Soley, G., & Ullal, S. (2012). Familiarity overrides complexity in rhythm perception: A cross-cultural comparison of American and Turkish listeners. Journal of Experimental Psychology: Human Perception and Performance, 38(3), 543-548.
  
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• Jacoby, N., et al. (2024). Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries. Nature Human Behaviour, 8, 846-877
  
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• Jones, M. R., & Boltz, M. (1989). Dynamic attending and responses to time. Psychological Review, 96(3), 459-491.
  
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• Large, E. W., & Jones, M. R. (1999). The dynamics of attending: How people track time-varying events. Psychological Review, 106(1), 119-159.
  
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• Large, E. W., & Palmer, C. (2002). Perceiving temporal regularity in music. Cognitive Science, 26(1), 1-37.
  
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• London, J. (2012). Hearing in time: Psychological aspects of musical meter (2nd ed.). Oxford University Press.
  
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• McGraw, A. C. (2008). Different temporalities: The time of Balinese gamelan. Yearbook for Traditional Music, 40, 136-162.
  
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• Mehr, S. A., et al. (2019). Universality and diversity in human song. Science, 366(6468), eaax0868.
  
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• Näätänen, R., Paavilainen, P., Rinne, T., & Alho, K. (2007). The mismatch negativity (MMN) in basic research of central auditory processing. Clinical Neurophysiology, 118(12), 2544-2590.
  
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• Polak, R., & London, J. (2014). Timing and meter in Mande drumming from Mali. Music Theory Online, 20(1).
  
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• Saffran, J. R., Aslin, R. N., & Newport, E. L. (1996). Statistical learning by 8-month-old infants. Science, 274(5294), 1926-1928.
  
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• Savage, P. E., Brown, S., Sakai, E., & Currie, T. E. (2015). Statistical universals reveal the structures and functions of human music. Proceedings of the National Academy of Sciences, 112(29), 8987-8992.
  
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• Trainor, L. J. (2005). Are there critical periods for musical development? Developmental Psychobiology, 46(3), 262-278.
  
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• Wang, X., & Wöllner, C. (2020). Time as the ink that music is written with: A review of internal clock models and their explanatory power in audiovisual perception. Jahrbuch Musikpsychologie, 29, Article e67.
  
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• Werker, J. F., & Tees, R. C. (1984). Cross-language speech perception: Evidence for perceptual reorganization during the first year of life. Infant Behavior and Development, 7(1), 49-63.

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